November 2, 2012
"

“…I was punished. I wrote a critical book review essay that spoke my truth as I saw it, regardless. I knew it would cause tension. However, I never imagined fire. To my mind, I was jumping into a game of intellectual hopscotch, just as I’d seen my male colleagues do many times before. Naively, I thought it was my turn. However, I learned quickly that the game of intellectual criticism is not only gendered, but also has psychological, emotional and reputational (and thus, representational) risks—if you are a black woman.

I was a newly minted black feminist scholar of religion…who critiqued the work of a tenured black male scholar. Among all other sorts of criticisms re: staying in my lane, people asked, “Are they fucking?” Really?!?? I pledged Delta Sigma Theta Sorority, Inc. at Sigma Chapter at Clark Atlanta University in 1995. I know full well how to let things that people say about or to me, “roll off my back,” and have been known to withstand the harshest of criticisms without even flinching. However, the idea that my work as a black feminist scholar religion and black cultural critic was somehow underpinned by some sort of fantastic and unscrupulous sexual liaison between the author and I sent me into a year long, deep depression and almost two years of silence…”

~ Tamura A. Lomax, “Black Women, Black Criticism, and the Unremovable Veil of Jezebel” (Day 5: The Feminist Wire’s forum on Black (Academic) Women’s Health)

http://thefeministwire.com/2012/11/black-women-black-criticism-and-the-unremovable-veil-of-jezebel/

"

April 27, 2012
None of Us are Free until All of Us are Free

Who Will Revere Us? (Black LGTBQ People, Straight Women, and Girls)

From April 23, 2012 through April 26, 2012, The Feminist Wire published Aishah Shahidah Simmons’ four part series titled “Who Will Revere Us? (Black LGTBQ People, Straight Women, and Girls).” Through a comparison of selected cases, Simmons interrogates why Black/African-American/African descendant communities have tremendous difficulty addressing various forms of violence perpetuated against LGTBQ people, straight women, and girls. Following is the introduction to the series.

Introduction

The title of this four part article is a metaphorical nod to the legendary jazz singer, songwriter, actor, and activist Abbey Lincoln (also known as Aminata Moseka) whose essay, “Who Will Revere The Black Woman?” is featured in the ground-breaking anthology The Black Woman. Edited by Black feminist author, screenwriter, and visionary activist Toni Cade Bambara, this all-Black woman anthology focused on the issues most pertinent to Black women and our communities. Originally published in 1970 and reissued in 2005 with a forward by Dr. Eleanor W. Traylor, The Black Woman was the literary wo/manifestation of the impact of the intersection of the Civil Rights/Black Power movements and the second wave of the Women’s Rights movement on Black women’s lives. In short, Ms. Lincoln’s ageless essay is a demand for justice and protection for Black women. In her concluding paragraph she writes,

[…]Who will revere the Black woman? Who will keep our neighborhoods safe for Black innocent womanhood? Black womanhood is outraged and humiliated. Black womanhood cries for dignity and restitution and salvation. Black womanhood wants and needs protections, and keeping and holding. Who will assuage her indignation? Who will keep her precious and pure? Who will glorify and proclaim her beautiful image? To whom will she cry rape?

In her 1983 prophetic and timeless essay, “There Is No Hierarchy of Oppression,” self-defined Black feminist lesbian mother warrior poet Audre Lordewrites,

I cannot afford the luxury of fighting one form of oppression only. I cannot believe that freedom from intolerance is the right of only one particular group. And I cannot afford to choose between the front upon which I must battle these forces of discrimination, wherever they appear to destroy me. And when they appear to destroy me, it will not be long before they appear to destroy you.[1]

I am struggling to find the right time to discuss inter and intra-racial gender-based violence in the midst of the justified outrage about the rampant and virulent racialized violence perpetrated against straight Black boys and men. Even with this being Sexual Assault Awareness Month, now doesn’t feel like the best time to write about the gender-based and state-sanctioned violence perpetuated against Black straight women, girls, and LGBTQ (Lesbian, Gay, Bisexual, Transgender, Queer) people both inside of and outside of our racial/cultural communities. I fear that sharing what’s on my heart and mind, might be construed as my taking away from the “real” issue at hand in most Black communities, which seems to be solely white supremacist and/or state-sanctioned racist violence against straight Black men and boys. Audre Lorde’s writings remind me, however, that discussions on oppression within Black communities should never be taken up within an either/or frame. The diverse herstories/histories and contemporary realities of Black straight women, girls, and LGBTQ people have consistently revealed that the issues that directly impact us often take a back seat, if they even make it into the metaphorical car on the freedom and liberation highway. There is a collective understanding among many in multi-racial, radical progressive movements, that the white supremacist, patriarchal, heterosexist, imperial, and capitalist power structure is the root of all oppressions in the United States. While I believe that to be true, even in the company of other oppressed people, Black straight women and LGBTQ people are still under attack. Too often we are caught at the intersections of race, gender, and if we identify as LGBTQ, sexuality. In spite of our shared his/herstories of oppression, struggle, and perseverance against the odds, not enough Black people view sexism, patriarchy, misogyny, heterosexism and transphobia with the same kind of activist passion that we view racism, white supremacy, and state-sanctioned violence perpetuated against straight Black men and boys. The reality is this: when Black straight men and boys are beaten, brutalized, and/or murdered as a result of state-sanctioned and/or white supremacist violence, it becomes (as well it should be) a national issue in the Black community and in a few, definitely not all, instances, the outrage moves beyond the Black community. Yet, when Black straight women, girls, and LGBTQ people are raped, sexually assaulted, beaten, brutalized, and/or murdered as a result of misogynist, patriarchal, state-sanctioned, and/or white supremacist violence, it is too often the victim’s individual issue.

Shepard Fairey illustrator

There are so many egregious, known and unknown, cases of racial and gender-based violence perpetuated against all Black people, regardless of their gender, gender identity, and sexuality, that it is literally impossible to write about all of them. I want to highlight a selected few of the far too many, however, to ask Black/African-American/African descended people to consider our responses when any of us have been railroaded into the prison industrial complex, sexually or otherwise assaulted, or murdered. I want us, Black/African-American/African descended people, to consider our responses to issues that affect many as opposed to those issues affecting someof us based on our gender, gender identity, and/or sexuality.

***

Part 1, which was published on April 23, 2012, can be read in its entirety here. On April 24, 2012, Ebony.com aggregated part one. You can read it here.

Part 2, which was published on April 24, 2012, can be read in its entirety here. Part 3, which was published on April 25, 2012, can be read in its entirety here. Part 4, which was published on April 26, 2012, can be read in its entirety here.

February 27, 2012
"Some of Hollywood’s goals are to reinforce white supremacy, patriarchy, heterosexism, capitalism, (United States of) America’s greatness, and the US military industrial complex globally… Anything that goes against those grains, will be hard pressed to find an audience amongst the mainstream…. ~ Aishah Shahidah Simmons"

October 27, 2011
"

TONIGHT!!! FREE!!!
Thursday, October 27th,
Columbia University
Miller Theater, (116th & Broadway)
6 p.m.

Screening of Hip-Hop: Beyond Beats and Rhymes (Byron Hurt, Producer/Director)

Panel discussion to follow featuring Byron Hurt, Akiba Solomon, Ted Bunch, and Aishah Shahidah Simmons.

Don’t let the rain stop you!!! Come One, Come All!!!!

"

FOR MORE INFORMATION

http://www.columbia.edu/event/hip-hop-beyond-beats-and-rhymes-film-screening-and-panel-discussion-52985.html

October 24, 2011

Hip Hop: Beyond Beats and Rhymes:

A Film Screening and Panel Discussion

Thursday, October 27, 2011

6:00pm (Film screening)

7:30pm (Panel discussion)

Location: Miller Theater, Columbia University

116th & Broadway

New York, NY

As part of Columbia University’s Sexual Violence Response’s Relationship Violence Awareness Month program, please join moderator

Akiba Solomon (Writer and Freelance Journalist)

and panelists

Byron Hurt (Producer/Director Hip Hop: Beyond Beats and Rhymes),

Aishah Shahidah Simmons (Producer/Director NO! The Rape Documentary), and

Ted Bunch (Co-Founder, A Call To Men)

for a lively panel discussion following the screening of this award-wining, riveting film that explores sexism and other pressing issues in hip-hop culture.

For More Information: please contact Sexual Violence Response by sending an email to lr2520@columbia.edu or by calling 212.854.3500

October 24, 2011

“Reflections Unheard provides the many stories of Black women who have been largely ignored and undervalued throughout history up until this point, and provides a context in which we can look at race and gender today.” ~ Nev Nnaji, producer/director/cinematographer/editor, Reflections Unheard: Black Women in Civil Rights

SUPPORT the making of Reflections Unheard: Black Women in Civil Rights

Reflections Unheard: Black Women in Civil Rights website

Connect with Reflections Unheard on Facebook

Follow Reflections Unheard on Twitter

Liked posts on Tumblr: More liked posts »